Thomas Reid

 ( 1710 Births ) 

He went to the University of Aberdeen in 1723 and graduated MA in 1726. He was licensed to preach by the Church of Scotland in 1731 when he came of age. He began his career as a minister of the Church of Scotland but ceased to be a minister when he was given a professorship at King's College, Aberdeen, in 1752. He obtained his doctorate and wrote An Inquiry Into the Human Mind on the Principles of Common Sense (published in 1764). He and his colleagues founded the 'Aberdeen Philosophical Society, popularly known as the 'Wise Club' (a literary-philosophical association).See H. Lewis Ulman, The Minutes of the Aberdeen Philosophical Society 1758-1773 (Aberdeen University Press for Aberdeen University Studies Committee, 1990). Shortly after the publication of his first book, he was given the prestigious Professorship of Moral Philosophy at the University of Glasgow when he was called to replace Adam Smith. He resigned from this position in 1781, after which he prepared his university lectures for publication in two books: Essays on the Intellectual Powers of Man (1785) and Essays on the Active Powers of the Human Mind (1788). However, in 1787 he is still listed as "Professor of Moral Philosophy" at the university, but his classes were being taught by Archibald Arthur.

In 1740 Thomas Reid married his cousin Elizabeth, daughter of the London physician George Reid. His wife and "numerous" children predeceased him, except for a daughter who married Patrick Carmichael. Reid died of palsy, in Glasgow. He was buried at Blackfriars Church in the grounds of Glasgow College and when the university moved to Gilmorehill in the west of Glasgow, his tombstone was inserted in the main building.

In his day and for some years into the 19th century, he was regarded as more important than Hume.Craig G. Bartholomew and Michael W. Goheen, 2013, Christian Philosophy, Baker Academic, p. 138. He advocated direct realism, or common sense realism, and argued strongly against the Idealism advocated by John Locke, René Descartes, and (in varying forms) nearly all Early Modern philosophers who came after them. He had a great admiration for Hume and had a mutual friend send Hume an early manuscript of Reid's Inquiry. Hume responded that the work "is wrote in a lively entertaining manner," although he found "there seems to be some Defect in Method", and he criticized Reid's doctrine for implying the presence of innate ideas.Thomas Reid. An Inquiry into the Human Mind on the Principles of Common Sense. Ed. Derek R Brookes. Edinburgh: Edinburgh University Press, 1997. pp. 256–57

Reid also made positive arguments based in phenomenological insight to put forth a novel mixture of direct realism and ordinary language philosophy. In a typical passage in The Intellectual Powers of Man he asserts that when he has a conception of a centaur, the thing he conceives is an animal, and no idea is an animal; therefore, the thing he conceives is not an idea, but a centaur. This point relies both on an account of the subjective experience of conceiving an object and also on an account of what we mean when we use words. Because Reid saw his philosophy as publicly accessible knowledge, available both through introspection and through the proper understanding of how language is used, he saw it as the philosophy of common sense.

Reid saw language as based on an innate capacity pre-dating human consciousness, and acting as an instrument for that consciousness. (In Reid's terms: it is an 'artificial' instrument based on a 'natural' capacity.) On this view, language becomes a means of examining the original form of human cognition. Reid notes that current human language contains two distinct elements: first, the acoustic element, the sounds; and secondly the meanings—which seem to have nothing to do with the sounds as such. This state of the language, which he calls 'artificial', cannot be the primeval one, which he terms 'natural', wherein sound was not an abstract sign, but a concrete gesture or natural sign. Reid looks to the way a child learns language, by imitating sounds, becoming aware of them long before it understands the meaning accorded to the various groups of sounds in the artificial state of contemporary adult speech. If, says Reid, the child needed to understand immediately the conceptual content of the words it hears, it would never learn to speak at all. Here Reid distinguishes between natural and artificial signs:

"It is by natural signs chiefly that we give force and energy to language; and the less language has of them, it is the less expressive and persuasive. ... Artificial signs signify, but they do not express; they speak to the intellect, as algebraic characters may do, but the passions and the affections and the will hear them not: these continue dormant and inactive, till we speak to them in the language of nature, to which they are all attention and obedience." (p. 52)

His external exploration, regarding the senses, led Reid to his critical distinction between 'Sense' and 'perception'. While we become aware of an object through the senses, the content of that perception is not identical with the sum total of the sensations caused in our consciousness. Thus, while we tend to focus on the object perceived, we pay no attention to the process leading from sensation to perception, which contains the knowledge of the thing as real. How, then, do we receive the conviction of the latter's existence? Reid's answer is, by entering into an immediate intuitive relationship with it, as a child does. In the case of the adult, the focus is on perceiving, but with the child, it is on receiving of the sensations in their living nature. For Reid, the perception of the child is different from the adult, and he states that man must become like a child to get past the artificial perception of the adult, which leads to Hume's view that what we perceive is an illusion. Also, the artist provides a key to the true content of sense experience, as he engages the 'language of nature':

"It were easy to show, that the fine arts of the musician, the painter, the actor, and the orator, so far as they are expressive .. are nothing else but the language of nature, which we brought into the world with us, but have unlearned by disuse and so find the greatest difficulty in recovering it." (p. 53)

"That without a natural knowledge of the connection between these natural signs and the things signified by them, the language could never have been invented and established among men; and, That the fine arts are all founded upon this connection, which we may call the natural language of mankind." (p. 59)

Thus, for Reid, common sense was based on the innate capacity of man in an earlier epoch to directly participate in nature, and one we find to some extent in the child and artist, but one that from a philosophical and scientific perspective, we must re-awaken at a higher level in the human mind above nature. Why does Reid believe that perception is the way to recognize? Well, to him "an experience is purely subjective and purely negative. It supports the validity of a proposition, only on the fact that I find that it is impossible for me not to hold it for true, to suppose it therefore not true" (Reid, 753). To understand this better, it is important to know that Reid divides his definition of perception into two categories: conception, and belief. "Conception is Reid's way of saying to visualize an object, so then we can affirm or deny qualities about that thing. Reid believes that beliefs are our direct thoughts of an object, and what that object is" (Buras, The Functions of Sensations to Reid). So, to Reid, what we see, what we visualize, what we believe of an object, is that object's true reality. Reid believes in direct objectivity, our senses guide us to what is right since we cannot trust our own thoughts. "The worlds of common sense and of philosophy are reciprocally the converse of each other" (Reid, 841). Reid believes that Philosophy overcomplicates the question of what is real. So, what does Common Sense actually mean then? Well, "common sense is the senses being pulled all together to form one idea" (Cambridge Companion to Thomas Reid, 164). Common sense (all the senses combined) is how we truly identify the reality of an object; since all that can be perceived about an object, are all pulled into one perception. How do people reach the point of accessing common sense? That's the trick, everyone is born with the ability to access common sense, that is why it is called common sense. "The principles of common sense are common to all of humanity," (Nichols, Ryan, Yaffe, and Gideon, Thomas Reid).

Common sense works as such: If all men observe an item and believe the same qualities about that item, then the knowledge of that item is universally true. It is common knowledge, which without explanation is held true by other people; so, what is universally seen is universally believed. "The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a community, without definite limits, and capable of a definite increase of knowledge," (Reid, 155). The combination of the same ideas, of a thing, by multiple people, is what confirms the reality of an object. Reid also believes that the philosophers of his time exaggerated what is truly real. Where most philosophers believe that what we see is not fully what that thing is, for example, Descartes, Reid counters this argument simply by stating that "such a hypothesis is no more likely to be true than the common-sensical belief that the world is much the way we perceive it to be," (Nichols, Ryan, Yaffe, and Gideon, Thomas Reid). Reality is what we make it out to be, nothing more.

Reid also claimed that this discovery of the link between the natural sign and the thing signified was the basis of natural philosophy and science, as proposed by Francis Bacon in his radical method of discovery of the innate laws of nature:

The great Lord Verulam had a perfect comprehension of this, when he called it an interpretation of nature. No man ever more distinctly understood, or happily expressed the nature and foundation of the philosophic art. What is all we know of mechanics, astronomy, and optics, but connections established by nature and discovered by experience or observation, and consequences deduced from them? (..) What we commonly call natural causes might, with more propriety, be called natural signs, and what we call effects, the things signified. The causes have no proper efficiency or causality, as far as we know; and all we can certainly affirm, is, that nature hath established a constant conjunction between them and the things called their effects; (..). (p. 59)

Reid's reputation has revived in the wake of the advocacy of common sense as a philosophical method or criterion by G. E. Moore early in the 20th century, and more recently because of the attention given to Reid by contemporary philosophers, in particular philosophers of religion in the school of Reformed epistemology such as William Alston,Alston 1991, Perceiving God: The Epistemology of Religious Experience, Ithaca, NY: Cornell University Press, pp. 151–5, 162–5. Alvin Plantinga, and Nicholas Wolterstorff,Wolterstorff usez of Reid in aid of Reformed Epistemology in his 1983 "Can Belief in God be Rational if it has no Foundations?", Faith and Rationality, Notre Dame, IN: Notre Dame University Press. seeking to rebut charges that theistic belief is irrational where it has no doxastic foundations (that is, where that belief is not inferred from other adequately grounded beliefs).

He wrote a number of important philosophical works, including Inquiry into the Human Mind on the Principles of Common Sense (1764, Glasgow & London), Essays on the Intellectual Powers of Man (1785) and Essays on the Active Powers of Man (1788). In 1844, Schopenhauer praised Reid for explaining that the perception of external objects does not result from the raw data that is received through the five senses:

• 1764. An Inquiry into the Human Mind on the Principles of Common Sense (translated to modern English) ( Facsimile of the 1823 edition)
• 1785. Essays on the Intellectual Powers of Man ( Facsimile)
• 1788. Essays on the Active Powers of the Human Mind ( Facsimile)

Until recently the standard edition of the Inquiry and the Essays has been the sixth edition of Sir William Hamilton (ed.), Edinburgh: Maclachlan and Stewart, 1863. A new critical edition of these titles, plus correspondence and other important material, is being brought out by Edinburgh University Press as The Edinburgh Edition of Thomas Reid. An accessible selection from Hamilton's 6th ed. is Thomas Reid's Inquiry and Essays, ed. Ronald Beanblossom and Keith Lehrer, Indianapolis: Bobbs-Merrill, 1975.